Try to show something that reflects you as a person, something that suits you. If your character mentioned their hometown, for instance, and you can’t pronounce it, that’s definitely going to seem odd! If there are place names mentioned, get on Google: make sure you know how to correctly pronounce them! Show your personality Do your research and really think about what aspects of the monologue are needed to deliver in a natural and authentic way. Monologues set in different times and places (or even contemporary pieces!) will often include some contextual details, like names or places. Think long and hard about what it is that suits you as a person, and whether there’s something out there that can represent you and set you apart. Try to find something uniqueīe aware of picking well worn speeches - it can help to differentiate you if you pick something less obvious! While some of the classic monologues in Shakespeare are classics for a reason, it can be risky to take on something that many others in your age range/casting category are also likely to attempt. Only take the time you’ve been allocated. Remember: there are likely a lot of other people being seen on the same day, so make your first impression a professional and respectful one. Do not go over! You might very well be stopped before you have a chance to finish. Make sure you time yourself before you get to the audition. As Joe says, “Make it seem like the first time the piece has been spoken, every time.” That’s the big challenge for all actors - so it should be your focus! Take the time to discuss the piece with somebody else if you can and compare interpretations. Think about the levels of emotion in the piece where does the character start? Where do they end up? It’s vital to really break down and think about the way the piece flows, how emotions are changing or what is being realised, discovered or dissected in the language. Stick to the brief! Introduce or look for levels A scene from your favourite film is also probably inappropriate. He also warns: “Don’t eyeball me!” Your panellists will want to make notes, so staring them down may make them a little uncomfortable, “ above the panel’s eye-line is fine.” Pick from a playĭon’t do a song or recite a poem, or do anything else that is not a play, unless that’s what has been asked for. “You’re only ever talking to one of four things: yourself, the audience, another character or god - be clear who you are speaking to,” Joe says. Don’t stare down the panel - pick a specific point for delivery!ĭecide who you are directing the monologue to - is it someone in the audience, is it a spot on the wall? Wherever you need to direct it, keep it consistent. “We notice how people present themselves,” says Joe, so make sure you’re ready and appearing as professional as possible. Make sure you’re aware of how you are behaving before you even get started. We went along to hear all his great advice on how to get your monologue into the best shape possible, and nail that audition! Avoid fidgeting beforehand Tips for Performing Your Best Monologue Monologue tips from Guildford School of Acting audition panellist Joe RichardsonĪt Spotlight’s recent Open House events, Joe Richardson led a wonderful session on auditioning for drama school.
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